This year’s annual Sundance Film Festival was held from January 18th – 28th.
On November 29th 2017, the feature films nominees were announced on the Sundance website. In the running for the WORLD CINEMA DOCUMENTARY COMPETITION, a global selection of ‘twelve documentaries by some of the most courageous and extraordinary international filmmakers working today’ – was first time director Sandi Tan of the film, ‘Shirkers’.
Here was its trailer, as uploaded in December 2017 by the Sundance Institute.
Sandi won the World Cinema Documentary Directing Award for ‘Shirkers’, received a 5 star review from The Guardian, and if you google this: shirkers sundance, this is what comes up:
As a Music, Film and Television online magazine first based out of Singapore, we are thrilled for Sandi’s achievement but more so, her journey as a filmmaker.
We can’t wait to watch the film. Congratulations, Sandi!
In 1992, teenager Sandi Tan shot Singapore’s first road movie with her enigmatic American mentor, Georges — who then absconded with all the footage. The 16mm film is recovered 20 years later, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints –and her own.
Sandi Tan (Writer, Director, Producer) published a zine called The Exploding Cat at 16 and became the film critic at The Straits Times, Singapore’s largest newspaper at 22, then threw all that away to run off to film school at Columbia University. Her short films Moveable Feast and Gourmet Baby have played at over 100 film festivals including NYFF, Oberhausen and Clermont-Ferrand, and were broadcast internationally on RAI, SBS and ZDF/arte. She is also the author of The Black Isle, an epic novel that re-imagines Singapore’s past as a ghost story. She was a 2016 Sundance Documentary Film Program Fellow, a 2017 IFP Documentary Lab Fellow and a 2017 Sundance Creative Producing Fellow. She lives in Pasadena, Calif.
Jess Levin (Producer) is Sandi’s film school pal from Columbia University and has been following the Shirkers saga for a decade. After years as a veteran in independent film (producer of various indie features and post-production supervisor on Charlie Kaufman’s Synecdoche New York), Jess became a prolific producer on HBO shows (Cary Fukunaga’s True Detective and Todd Haynes’ Mildred Pierce, David Simon’s The Deuce (pilot), Treme and Show Me a Hero, and Steve McQueen’s pilot Codes of Conduct). Most recently, she is a producer on Scott Frank’s Godless and Cary Fukunaga’s Maniac for Netflix.
Maya Rudolph (Producer) is a writer, producer, and post-production supervisor based in Los Angeles and Beijing. Her experience in China has taken her through Beijing’s underground music scene as a co-founder of the culture platform Pangbianr and director of music videos and short films from the Beijing rock scene; to the realm of Chinese muppets as the former bilingual head writer and producer of Zhimajie, the Chinese co-production of Sesame Street. Maya has produced original films and series for American Girl, Disney/Lucasfilm, VICE Media, UNICEF, and more. And no, she’s not that Maya Rudolph, but she does love Prince.